Charlotte M. Cross (Editor) and Russell A. Berman (Editor)
Page count: 400 pages
File size: 4.6 MB
The original essays in this collection chronicle the transformation of Arnold Schoenberg’s works from music as pure art to music as a vehicle of religious and political ideas, during the first half of the twentieth century. This interdisciplinary volume includes contributions from musicologists, music theorists, and scholars of German literature and of Jewish studies.