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Eight Pieces on Prostitution

Short Stories


by
Dorothy Johnston

Book Details

Format: EPUB

Page count: 180 pages

File size: 381 KB

Protection: DRM

Language: English

“The stories in Eight Pieces on Prostitution span the whole of my writing life and include my first published story, ‘The Man Who Liked to Come with the News’, which Frank Moorhouse chose for his 1983 anthology, ‘The State of the Art’. My first novel, ‘Tunnel Vision’, is set in a Melbourne massage parlour, and I have continued to return to the theme of prostitution in my novels and short stories, notably in ‘The House at Number 10’ and in this collection. ‘Where the Ladders Start’ is a long story, almost a novella, based around a suspicious death. Many of the stories are set in Canberra, Australia’s national capital, where I lived for thirty years before returning to Victoria’s Bellarine Peninsula. The cover design is based on a painting by Bartolome Esteban Murillo called ‘Two Women at a Window’, which is held at the National Gallery of Art, Washington DC. Though the women in the painting are probably prostitutes, it is not absolutely clear; there’s an ambiguity about them, as well as an amused self-awareness. I like this very much and feel that it suits my stories.” – Dorothy Johnstondorothyjohnston.com.au

“The stories in Eight Pieces on Prostitution span the whole of my writing life and include my first published story, ‘The Man Who Liked to Come with the News’, which Frank Moorhouse chose for his 1983 anthology, ‘The State of the Art’. My first novel, ‘Tunnel Vision’, is set in a Melbourne massage parlour, and I have continued to return to the theme of prostitution in my novels and short stories, notably in ‘The House at Number 10’ and in this collection. ‘Where… (more)

“The stories in Eight Pieces on Prostitution span the whole of my writing life and include my first published story, ‘The Man Who Liked to Come with the News’, which Frank Moorhouse chose for his 1983 anthology, ‘The State of the Art’. My first novel, ‘Tunnel Vision’, is set in a Melbourne massage parlour, and I have continued to return to the theme of prostitution in my novels and short stories, notably in ‘The House at Number 10’ and in this collection. ‘Where the Ladders Start’ is a long story, almost a novella, based around a suspicious death. Many of the stories are set in Canberra, Australia’s national capital, where I lived for thirty years before returning to Victoria’s Bellarine Peninsula. The cover design is based on a painting by Bartolome Esteban Murillo called ‘Two Women at a Window’, which is held at the National Gallery of Art, Washington DC. Though the women in the painting are probably prostitutes, it is not absolutely clear; there’s an ambiguity about them, as well as an amused self-awareness. I like this very much and feel that it suits my stories.” – Dorothy Johnstondorothyjohnston.com.au

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